JAMO J-202

Our next spectacular revitalization work, powerful jamo monitors with great efficiency, power, bandwidth and mass raised to 75 kg .. The monitors are completely finished in exotic wood, embarrassing internal wiring on thin wires between the crossover and the bass and between the crossover and new gold plated we have exchanged loudspeaker terminals dedicated to this power. The suppression of toxic glass wool has been completely removed, boxes dampened with 70 mm acoustic foam with 20 years of service life. The racks have special internal reinforcements, the rear wall thickened with 25 mm plywood, the perfect joinery connection to the construction loudspeakers. The boxes are equipped with integral, powerful stands with wheels at the bottom, enabling smooth moving. I should not stumble about such a small thing as the mentioned diaphragms on the brand new one as it is our standard.

made a long time the largest in history, extremely heavy floor monitors Jamo.Ich height of 85 cm with integral plinths still says so little but just look at the comparison photo with perfect monitors Cantone GLE 50, to realize the power of this unique structure ... The heart of this gigantic design is a 350 mm subbass speaker operating at a good angle from the vertical, on a lightweight foam suspension and an ultra light membrane specially stiffened with inner rings. The middle band corresponds to one of the heaviest silk domes (with a body of almost 2 kg), which I was able to service

:) The high tones reproduce with a large swadą two heavy aluminum transducers with phenomenal efficiency. The monitors have independent potentiometers to adjust the color of medium and high tones. Unique, unique design with a finish in exotic wood with stabilizing integral plinths and transparent silicone wheels, very friendly to parquet floors

:) Powerful additional gold-plated terminals, wires for the bass speaker signal exchanged for thick OFC 99.99% CU copper, perfect crush dampening, crossover crossovers, double bass-refflex tunnels, unique finish of the smallest details, perfect coating, in a word, comprehensive tuning and very careful revitalization for pain ...

I can mention the sound to the end objectively, I can mention that the music takes on a different dimension ... the bass we feel on the chest, the vocals in the heart, detail detail and spatiality of the stage in symphonic music lets us believe that we accompany the musicians at the concert! .The unit driving the listening to these loudspeakers were phenomenal in their sound Pioneer SX-1250 and Kenwood KR-7600 receivers, pearls from the best audio times. These monitors with their gigantic, noticeable dynamics, 96 DB! they can boldly compete even with many Sansui models, I heartily recommend this purchase ...

In respect for the brand and sound, we gave them a new exotic veneer and foam insulation with 20 years of usable durability, the ambition of the vintage equipment enthusiast has motivated us to give these wonderful monitors a real unmodified noble natural veneer, manufactured according to the best carpentry techniques. There was a lot of work with them, but the effect even surprised us. But if anyone in the era of ubiquitous plastic will appreciate it?

The front panel has tone potentiometers for medium and high tones separately. It is an outstanding, four-speaker design. Bass symptomatic of the brand - deep, very warm and fleshy. Summing up - a set for the connoisseur of extremely retail sound and aesthetics, for which a perfect, even cabinet condition is as important as the uniqueness of the sound. The monitor's sound confirms that the best speaker sets were created until the 1980s .

The sound of the set is extremely natural, classic analog, there was nothing missing in any bandwidth.

Beautiful dynamics, extremely clean, spatial sound, no coloration, fleshy bass, clear not insistent midrange, crystal-clear high tones, are extremely musical monitors, I heartily recommend ....

We listen a lot, but these powerful monitors generate such an incredible sound that we can not get away. This huge structure does not seem to have any limitations. Both music from the 50's and modern recordings are great on these monitors. No matter if we listen to jazz or rock, we collect jaws from the floor anyway. A huge bass speaker reproduces the lowest notes splendidly. The double bass sounds so natural as probably never in our studio. Unbelievable open spatial sound. The effect is that at times it seems as if someone has exposed a large and heavy curtain. Trumpet and saxophone in all recordings is an amazing experience. But above all, the universality of this sound is surprising here. Large space and great micro dynamics.

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